Image credits

The pictures on this site are reproductions of works of art in the public domain, from museum open-access programmes, treated for the web (cropped, toned into the school's palette, lightly grained). Each one is listed here with the collection that holds the work, its accession number and the licence that was read on the source on 2026-11-04. Nothing on this site is generated by an image model; the school's own marks and ornaments are original work.

The Death of Socrates, Jacques Louis David (French, 1748 to 1825), 1787. Oil on canvas, 129.5 by 196.2 cm. The Metropolitan Museum of Art, New York, 31.45. Catharine Lorillard Wolfe Collection, Wolfe Fund, 1931. Source record. CC0 1.0 (The Met Open Access).
The Oath of the Horatii (Le Serment des Horaces), Jacques-Louis David (French, 1748 to 1825), 1784. Oil on canvas, 3.3 by 4.25 m. Musee du Louvre, Paris, INV 3692 (image via Wikimedia Commons, Google Art Project scan), INV 3692. Musee du Louvre; scan from the Google Art Project via Wikimedia Commons. Source record. Public domain (the painter died in 1825; a faithful reproduction of a two-dimensional public-domain work).
Bonaparte Crossing the Great Saint Bernard (Bonaparte franchissant le Grand Saint-Bernard, 20 mai 1800), Jacques-Louis David (French, 1748 to 1825), 1801. Oil on canvas. Chateau de Malmaison (image via Wikimedia Commons, Google Art Project scan), Malmaison MM 49-7-1 (first version). Musee national des chateaux de Malmaison et Bois-Preau; scan from the Google Art Project via Wikimedia Commons. Source record. Public domain (the painter died in 1825; a faithful reproduction of a two-dimensional public-domain work).
Saints Peter and John Healing the Lame Man, Nicolas Poussin (French, 1594 to 1665), 1655. Oil on canvas. The Metropolitan Museum of Art, New York, 24.45.2. Marquand Fund, 1924. Source record. CC0 1.0 (The Met Open Access).
Et in Arcadia ego (The Arcadian Shepherds), second version, Nicolas Poussin (French, 1594 to 1665), 1637 to 1638. Oil on canvas. Musee du Louvre, Paris, INV 7300 (image via Wikimedia Commons), INV 7300. Musee du Louvre; reproduction via Wikimedia Commons. Source record. Public domain (the painter died in 1665; a faithful reproduction of a two-dimensional public-domain work).
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto), Leonardo da Vinci (Italian, 1452 to 1519), 1480 to 1485. Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint, 19.3 by 16.2 cm. The Metropolitan Museum of Art, New York, 17.142.1. Rogers Fund, 1917. Source record. CC0 1.0 (The Met Open Access).
Study of Hands, Jean-Auguste-Dominique Ingres (French, 1780 to 1867), 1842. Graphite with traces of white heightening on ivory laid paper. The Cleveland Museum of Art, 2003.37. Purchase from the J. H. Wade Fund. Source record. CC0 1.0 (Cleveland Museum of Art Open Access).
Prisoners on a Projecting Platform, plate 10 from Carceri d'invenzione, Giovanni Battista Piranesi (Italian, 1720 to 1778), 1749 to 1750. Etching, engraving, sulphur tint or open bite, burnishing. The Cleveland Museum of Art, 1941.26.8. Dudley P. Allen Fund. Source record. CC0 1.0 (Cleveland Museum of Art Open Access).
Sacrificial Offering in a Temple, Giovanni Battista Piranesi (Italian, 1720 to 1778), after 1750. Pen and brown ink and brush and brown and gray wash. The Cleveland Museum of Art, 1953.259. Dudley P. Allen Fund. Source record. CC0 1.0 (Cleveland Museum of Art Open Access).

Details of the treatment and the house style are in the repository (docs/visual-style-bible.md and public/design/CREDITS.md).